Checked August 2026. Every figure below is taken from the platform's own published pricing page on that date. Terms change often — verify before deciding.
Every dubbing platform publishes a monthly price, and none of those prices is what dubbing a video costs. The plan figure is an allowance. What decides the bill is how fast the allowance drains, what has to be bought on a second plan, and whether the good rate is only available to someone who signs away a year.
So this is not a leaderboard. It is a look at how the alternatives are structured, because structure is what surprises people three months in — long after the price comparison that made the decision.
Three questions worth more than any comparison table
- What does one finished minute cost? Not the plan price — the plan price divided by the minutes it actually buys, once transcription and translation are paid for too.
- Is the advertised price the monthly price? Most quoted figures are annual-billing prices, or first-month offers. The standing month-to-month number is usually higher, sometimes by half.
- Do the stages connect? Transcription, translation and dubbing are separate products on some platforms — separate plans, separate results, and no wire between them.
Answer those three and most of the marketing falls away.
Maestra
Maestra is four products sold side by side: transcription, subtitles, voiceover and real-time captions, each on its own plan ladder with its own monthly allowance. Voiceover runs $39 a month for 120 minutes, $79 for 300, $159 for 600 and $359 for 1,500. Lip-sync unlocks at the Business tier and is charged at $2 per minute of video on top. Transcription supports 125+ languages.
Three things to hold in mind. First, the prices on that page are annual-billing prices — the "Save $117" beside the Basic plan is what you are given for paying a year up front, which means the month-to-month figure is higher. Second, publishing a video in another market usually needs a transcript, a translation and a dub, and those sit on different ladders: add the ones you actually need together before comparing anything.
Third, and this is the one that costs time rather than money: the products are not wired to each other. Each returns its own separate result, and the result of one is not the input of the next. The transcript you paid for does not become the translation. The translation does not become the dub. You carry files between them by hand, and every handoff is a place for the timing to drift and for someone to have to reconcile it.
EasilyAI runs the same stages as one pass on one file, out of one balance: 8 credits a minute for transcription, 18 for Translation Deluxe, 25 for AI Dubbing Standard — dropping to 10 if you bring the transcript and translation yourself. Each stage inherits the last one's timeline. Nothing to subscribe to twice, and nothing to hand off.
What a voiceover minute actually is
A voiceover minute buys a minute of audio. That is the entire deliverable, and what happens after it exists is where dubbing really lives.
Maestra's voiceover editor changes the text, the timecodes and the speaker name. That is a caption editor with a voice attached to it. Its published formats go in as MP4, MOV, MKV, AVI, MP3 and WAV, and come out as SRT, VTT, TXT, DOCX or MP4 — nothing in that list brings a translated script in as a table, so a translation your linguist already delivered gets retyped line by line.
Overlapping speech is where it shows most. Maestra's own help pages treat two people talking at once as something you go in and correct, and in practice the correction becomes the work: segments get clipped, so the line that started first never finishes, and in a language that needs more syllables than the original the voice runs past the end of its own segment and over whatever comes next. At that point you are not editing a dub. You are repairing one.
EasilyAI treats both as the job rather than the exception:
- Import the script as a CSV and the whole translation lands on the timeline at once, already segmented. It is also what drops dubbing from 25 credits a minute to 10 — the platform charges you less for the work you did yourself.
- Overlapping speech is supported, not repaired. Two people talking over each other stay two people talking over each other: separate lines, separate voices, overlapping timecodes, and each line held inside its own duration so it is neither clipped short nor left running over the next one. Interviews, panels, arguments and crowd scenes survive the dub instead of being flattened into a queue.
- Three panels held in context — segments, video playback and a timeline — because correcting a dub means reading the line, hearing it and placing it at the same moment.
Cheap per minute is easy when the minute is only audio. The number that decides a project is what the finished video costs, and that includes the afternoon someone spends retyping a script that arrived as a spreadsheet.
Maestra is worth a closer look than a section allows: EasilyAI vs Maestra goes through the four plan ladders, what they cost together, the live captioning and lip-sync it has that EasilyAI does not, and where its editor stops.
Rask AI
Rask translates into 135+ languages with voice cloning in 32, and offers a free trial of three minutes. Creator is $60 a month billed monthly, or $33 a month billed yearly; Creator Pro is $150 or $78; Business is $750 or $500. Extra minutes are $3 each on Business and above.
The structural detail is in where the minutes live. The included allowances — 300 minutes on Creator, 1,200 on Creator Pro, 6,000 on Business — are annual pools attached to annual plans. Unused minutes roll over and accumulate while the subscription is active, which is a genuinely good design, and they stop being yours when it is not. Creator at $60 monthly and Creator at $33 yearly are not the same product billed two ways.
That is the trade being offered across most of this category: the better rate in exchange for the year. EasilyAI does not make that trade. Every plan is monthly, and the discounted rate is on the monthly plan — cancelling costs you the service, not the price.
DittoDub
DittoDub is the one most YouTube channels are actually weighing up, so it gets a page of its own rather than a paragraph here: EasilyAI vs DittoDub works through the plans after the first month, which tier the thumbnail translation really sits on, the 62% overage premium, how 62 languages compares with 80+, and what the price difference buys if you spend it on a native-speaking reviewer instead.
Dubverse
Dubverse is the cheapest entry here: Pro at $18 a month and Supreme at $30, each with 50 credits, and a two-day free trial. Dubbing costs 4 credits a minute, AI voice generation 2, subtitling 1. Voice cloning and GPT-4 translations arrive on Supreme.
Read the two numbers on that plan together. 50 credits at four credits a minute is twelve and a half minutes of dubbing, and the "up to 60 mins of video" beside Pro is the length of file you are allowed to upload, not the amount you are allowed to dub. It is the smallest allowance on this page as well as the cheapest, which is a reasonable thing to be — as long as you know it before the third video of the month.
Worked through in full on its own page: EasilyAI vs Dubverse covers what each tier really buys per minute, the 60 and 150-minute length ceilings, and the voice cloning and GPT-4 translations that only arrive at the higher tier.
What EasilyAI is, plainly
Accents, not just languages. 80+ languages with a dedicated voice, each in two tiers — Standard for the accent most projects need, Deluxe for city and region level. Nine Spanish accents, thirteen Arabic dialects, and Scottish, Welsh, Yorkshire, Geordie, Scouse and Cockney inside English. The full index lists every one, which is itself the point: none of the platforms above publishes an accent breakdown you can check before paying.
One balance, one timeline. Transcription, translation and dubbing run as one pass on one file, each stage inheriting the last one's timecodes, and those timecodes hold through exports and language switches.
Finishing, not just voicing. Upload your music and effects stems and the platform mixes them into the dub. Every export is mastered to the standard the destination expects — YouTube 24-bit and 16-bit, Apple TV+, Netflix, Disney+, Paramount+, Amazon PV, cinema — and mastered the way an engineer would: integrated loudness in LUFS and a true-peak ceiling, set per platform, not a normalisation pass bolted on at the end. The file that comes out is the file you deliver. Nothing to reopen in Pro Tools, Audition or Resolve to fix levels that should not have needed fixing, and nothing bounced back by a platform's QC for being over ceiling.
Approve each stage before it spends your credits. The pipeline stops between stages. After transcription you review the segments — text, speakers, timecodes — and correct them while correcting them is free; only then does translation run, on a transcript you approved. The translation stops the same way, before a single credit goes on audio. Without those checkpoints an error in the transcript propagates into the translation, hardens into the voice, and all three have to be generated and paid for again. Regenerations are the real cost of dubbing, not the headline rate — and they are the one line no pricing page on this list puts a number against.
Subtitles out of the same timeline. Every project exports an SRT as well as the audio, built to professional subtitling parameters rather than dumped straight from the transcript — reading speed, line length and duration held to the limits a subtitler works to, timed against the same locked timeline as the dub. Upload it beside the video and the captions agree with what is being heard. On Maestra, subtitles are a separate plan ladder with its own monthly allowance.
Fifteen collaborators on the account, no per-seat charge. No cap on video length on any plan.
And what it is not. No lip-sync. No AI avatars. No public API. If one of those is the thing you actually need, another platform is your answer and this page has done its job.
Choosing between them
If you need lip-sync or an avatar, none of this matters and you want HeyGen. If you need a voice engine inside your own software, or synthesis for audio-only work, ElevenLabs. If you need YouTube metadata localization above everything else — titles, descriptions, thumbnail text — DittoDub is built for exactly that. If you need a few dubbed minutes a month at the lowest possible price, Dubverse.
EasilyAI is for the case in between: footage you already shot, that has to exist in several markets sounding like it was made there, reviewed by a team before it ships, with overlapping dialogue intact, your score mixed back in, and a master that passes each platform's spec without a trip through an audio suite — and without a year signed to get a fair price for it.
The cheapest way to test that claim is $10, which is the point. The pipeline breakdown shows where each credit goes, and the case-study data shows what the accent is worth once the video is live.
Side by side
| EasilyAI | Maestra | Rask AI | Dubverse | |
|---|---|---|---|---|
| Cheapest way in | $10 credit top-up, no plan | Plan required | 3-minute free trial | 2-day free trial |
| Standing monthly price, entry tier | $50 | $39 voiceover, annual billing | $60, or $33 billed yearly | $18 |
| Best rate requires an annual commitment | No — it is the monthly rate | Yes, prices shown are annual | Yes, minutes are annual pools | Not published |
| Cost of going over the allowance | Ordinary credit rate | Not published | $3 per minute | Not published |
| Stages connected on one timeline | Yes — one pass, one balance | No — separate plans, separate results | Yes | Yes, at different credit rates |
| Approve each stage before it spends credits | Yes — transcript, then translation, then audio | Not published | Not published | Not published |
| Languages with a dedicated voice | 80+ | 125+ for transcription | 135+ | Not published |
| Published accent breakdown per language | Yes — 9 Spanish, 13 Arabic, 13 English | Not published | Not published | Not published |
| Import a translated script as a table (CSV) | Yes — and it halves the credit cost | Not among published formats | Not published | Not published |
| Overlapping speech kept as separate lines | Yes, each inside its own duration | Treated as something to correct | Not published | Not published |
| Music and effects stems mixed into the dub | Yes | Not published | Not published | Not published |
| Loudness mastering per platform | 8 standards, LUFS and true peak | Not published | Not published | Not published |
| SRT export from the same balance | Yes — to professional subtitling parameters | Separate subtitle plan ladder | Not published | 1 credit per minute |
| Video length cap | None | Not published | None stated; split files over 3 h | 60–150 min by plan |
DittoDub is compared in full on its own page rather than in this table.